@article{aup:/content/journals/10.5117/DMT2019.3.002.RADE, author = "Rademakers, Anna", title = "JACOBUS JOSEPHUS EECKHOUT", journal= "De Moderne Tijd", year = "2019", volume = "3", number = "3", pages = "190-210", doi = "https://doi.org/10.5117/DMT2019.3.002.RADE", url = "https://www.aup-online.com/content/journals/10.5117/DMT2019.3.002.RADE", publisher = "Amsterdam University Press", issn = "2667-162X", type = "Journal Article", abstract = "JACOBUS JOSEPHUS EECKHOUT A Belgian painter’s times in The Hague (1831-1844) In 1831, shortly after the outbreak of the Belgian Revolution, the Belgian painter Jacob Joseph Eeckhout moved from Brussels to The Hague. As a supporter of King Willem I, he no longer felt at ease in his homeland. Eeckhout remained in the Netherlands until 1843 and played an important role in the cultural life of The Hague. This article analyzes the The Hague episode in Eeckhout’s life in the light of the political developments of that time. To what extent did notions of nationality and national identity play a role in his artistic views and career?", }