@article{aup:/content/journals/10.5117/FORUM2023.1/2.010.ANTU, author = "Antunovic, Katarina", title = "Het theater van de pervert. Perversiteit als het edele wapen van de acteur", journal= "FORUM+", year = "2023", volume = "30", number = "1/2", pages = "80-83", doi = "https://doi.org/10.5117/FORUM2023.1/2.010.ANTU", url = "https://www.aup-online.com/content/journals/10.5117/FORUM2023.1/2.010.ANTU", publisher = "Amsterdam University Press", issn = "0779-7397", type = "Journal Article", keywords = "theatrical dynamism", keywords = "imagination", keywords = "acting", keywords = "perversity", abstract = "Abstract In this contribution, Katarina Antunovic examines the term “perversity”. She approaches the concept as a paradoxical synthesis: highly sensory and physical, but at the same time always invisible and elusive. In Flemish acting courses, the notion is all too often mentioned, always with a different interpretation and often unambiguously interpreted by students in a sexual manner, leaving its exact meaning undecided.", }