@article{aup:/content/journals/10.5117/NEDLET2009.3.KELL300, author = "Jaap, Goedegebuure", title = "Kellendonk, cultuurcriticus ", journal= "Nederlandse Letterkunde", year = "2009", volume = "14", number = "3", pages = "181-196", doi = "https://doi.org/10.5117/NEDLET2009.3.KELL300", url = "https://www.aup-online.com/content/journals/10.5117/NEDLET2009.3.KELL300", publisher = "Amsterdam University Press", issn = "2352-118X", type = "Journal Article", abstract = "After the secularization which, analogous to developments in western culture as a whole, established itself in nineteenth and twentieth century Dutch literature, a countermovement has recently been noticed. In the works of several authors one sees a distinct religious and ethical reorientation. This article focuses on the case of the novelist and essayist Frans Kellendonk (1952-1990), who articulated his social, political and religious ideas in a way which shows affinity with T.S. Eliot, Ezra Pound, Percy Wyndham Lewis, F.T. Marinetti and H. Marsman, authors who were part of the broad modernist movement during the period 1910-1930.", }