@article{aup:/content/journals/10.5117/QUE2020.2.002.DLAB, author = "Dlabačová, Anna", title = "Margriet Boelen as a Reader", journal= "Queeste", year = "2020", volume = "27", number = "2", pages = "128-145", doi = "https://doi.org/10.5117/QUE2020.2.002.DLAB", url = "https://www.aup-online.com/content/journals/10.5117/QUE2020.2.002.DLAB", publisher = "Amsterdam University Press", issn = "2667-1689", type = "Journal Article", keywords = "Lay book ownership", keywords = "Incunabula", keywords = "Text and image", keywords = "Religious reading", keywords = "Late medieval spirituality", abstract = "Abstract Margriet Boelen, who hailed from Amsterdam, is known to have commissioned a painting from Jacob Cornelisz in 1512 with the Nativity and devotional portraits of her and her family members. This contribution attempts at portraying Margriet as an owner and reader of books. Her (family’s) books provide additional information about the Boelens as well as about Margriet’s devotional interests and religious practice. Margriet’s book(s) – and more in general the increasing information about ownership of early printed books – also trigger questions regarding the role of the early printed book within a wider array of media, and the relationship between text and image in late medieval lay devotional culture in particular. When applied to viewing as well as reading, the concept of ‘ethical reading’ introduced by John Dagenais can be helpful in providing an indication of the way(s) in which lay readers and viewers connected both texts and images to their every day lives and used both media to advance their devotion.", }