De geboorte van de auteur na zijn dood

References

1. Bakker, E.2017. ‘Introduction’, in E.J.Bakker (ed.), Authorship and Greek Song. Authority, authenticity, and performance, Leiden, 1-7.
   [Google Scholar]
2. Beecroft, A.2010. Authorship and Cultural Identity in Early Greece and China, Cambridge.
   [Google Scholar]
3. Budelmann, F.2018a. Greek Lyric. A selection, Cambridge.
   [Google Scholar]
4. Budelmann, F.2018b. ‘Lyric Minds’, in F.Budelmann en T.Phillips (eds), Textual Events. Performance and the lyric in early Greece, Oxford, 235-256.
   [Google Scholar]
5. Caciagli, S.2016. ‘Sappho Fragment 17. Wishing Charaxos a safe trip?’, in A.Bierl en A.Lardinois (eds), The Newest Sappho. P. Sapph. P. Sapph. Obbink and P. GC inv. 105, frs. 1-4, Leiden, 424-448.
   [Google Scholar]
6. Campbell, D.A.1990. Greek Lyric. Vol. 1: Sappho and Alcaeus (tweede gecorrigeerde editie), Cambridge, MA.
   [Google Scholar]
7. Diller, H.1971. ‘Möglichkeiten subjektiver Aussage in den frühen griechischen Lyrik’, in H-J.Newiger en H.Seyffert (eds), Kleine Schriften zur antiken Literatur, München, 64-72.
   [Google Scholar]
8. Ferrari, F.2021. ‘Performing Sappho’, in P.J.Finglass en A.Kelly (eds), The Cambridge Companion to Sappho, Cambridge, 107-120.
   [Google Scholar]
9. Greene, E.2007. ‘Catullus and Sappho’, in M.Skinner (ed.), A Companion to Catullus, Oxford, 131-150.
   [Google Scholar]
10. Gurd, S.A.2017. Dissonance. Auditory aesthetics in ancient Greece, New York.
    [Google Scholar]
11. Hutchinson, G.O.2001. Greek Lyric Poetry. A commentary on selected large pieces, Oxford.
    [Google Scholar]
12. Jong, I.J.F. de. 2002. ‘Van poeta tot persona in de vroegste Griekse literatuur’, Lampas35, 387-398.
    [Google Scholar]
13. Jong, I.J.F. de. 2013. ‘Metalepsis and Embedded Speech in Pindaric and Bacchylidean Myth’, in U.E.Eisen en P.von Möllendorf (eds), Über die Grenze. Metalepse in Text und Bildmedien des Altertums, Berlijn, 97-118.
    [Google Scholar]
14. Jonge, C.C. de. 2012. ‘Dionysius and Longinus on the Sublime. Rhetoric and religious language’, American Journal of Philology133, 271-300.
    [Google Scholar]
15. Lardinois, A.2007. ‘Seks à la Sappho’, Lampas40, 273-280.
    [Google Scholar]
16. Lardinois, A.2020. ‘The Sound of Silence. Performing silence in Greek epic and lyric poetry’, in E.Papadodima (ed.), Faces of Silence in Ancient Greek Literature, Berlijn, 9-26.
    [Google Scholar]
17. Lardinois, A.2021. ‘Sappho’s Personal Poetry’, in P.J.Finglass and A.Kelly (eds), The Cambridge Companion to Sappho, Cambridge, 163-174.
    [Google Scholar]
18. Lardinois, A.2022. ‘Passion versus Performance in Sappho Fragments 1 and 31’, in M.de Bakker, B.van den Berg en J.Klooster, Emotions and Narrative in Ancient Literature, Leiden, 275-286.
    [Google Scholar]
19. Lefkowitz, M.2012. The Lives of the Greek Poets (tweede editie), Londen.
    [Google Scholar]
20. Liberman, G.2002. Alcée, Fragments (twee delen), Parijs.
    [Google Scholar]
21. Morrison, A.D.2007. The Narrator in Archaic Greek and Hellenistic Poetry, Cambridge.
    [Google Scholar]
22. Neri, C.2020. ‘Iati in Saffo’, Eikasmos31, 15-28.
    [Google Scholar]
23. Neri, C.2021. Saffo, testimonianze e frammenti, Berlijn.
    [Google Scholar]
24. Page, D.1959. Sappho and Alcaeus. An introduction to the study of ancient Lesbian poetry (tweede gecorrigeerde editie), Oxford.
    [Google Scholar]
25. Power, T.2020. ‘Sappho’s Parachoral Monody’, in M.Foster, L.Kurke en N.Weiss (eds), Genres of Archaic and Classical Greek Poetry. Theories and models, Leiden, 82-108.
    [Google Scholar]
26. Quinn, K.1973. Catullus. The Poems (tweede editie), New York.
    [Google Scholar]
27. Ramer, E.2018. ‘Of Wolves and Tyrants. Political imagery in Alc. Fr. 130b V’, Eikasmos29, 15-37.
    [Google Scholar]
28. Rösler, W.1980. Dichter und Gruppe. Eine Untersuchung zu den Bedingungen und zur historischen Funktion früher griechischer Lyrik am Beispiel Alkaios. München.
    [Google Scholar]
29. Skinner, M.B.1996. ‘Woman and Language in Archaic Greece, or, Why is Sappho a Woman?’, in E.Greene (ed.), Reading Sappho. Contemporary approaches, Berkeley, 175-192.
    [Google Scholar]
30. Slings, S.R.1990. ‘The I in Personal Archaic Lyric. An introduction’, in S.R.Slings (ed.), The Poet’s I in Archaic Greek Lyric, Amsterdam, 1-30.
    [Google Scholar]
31. Stehle, E.1997. Performance and Gender in Ancient Greece. Nondramatic poetry in its setting, Princeton.
    [Google Scholar]
32. Sigers [Stehle], E.1981. ‘Sappho’s Private World’, in H.Foley (ed.), Reflections of Women in Antiquity, New York, 45-61.
    [Google Scholar]
33. Voigt, E.-M.1971, Sappho et Alcaeus, Fragmenta, Amsterdam.
    [Google Scholar]
34. West, M.L.2004. ‘The New Sappho’, Zeitschrift für Papyrologie und Epigraphik191, 1-12 (herdrukt in Hellenica. Vol. 2: Lyric and Drama, Oxford, 2013, 53-66).
    [Google Scholar]