2004


OA
Nederlandse

image of Nederlandse Southern Gothic

This article presents a close reading of gothic features in Simone Atangana Bekono’s novella (‘As high as the sun stood’, 2022). This analysis serves as a way to comment on recent academic debates about the end, or ends, of critical theory, more specifically about ways of reading: surface reading or symptomatic reading. Supporting Esther Peeren’s recent plea for a return to symptomatic reading, I argue that a clearcut opposition between surface and depth is untenable.

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content/books/10.5117/9789048560110
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