2004
Volume 51, Issue 3
  • ISSN: 0165-4322
  • E-ISSN: 3050-9947

Abstract

Abstract

Religion and art were closely linked for centuries. But in the 20th century, religion disappeared from Western art discourse. The majority of the art world endorsed Nietzsche’s declaration of God’s death. Even the minority that wanted to put religion on the agenda in art struggled with the doubt that Nietzsche sowed. In 2025, the shock of Nietzsche’s cultural pessimism seems to have worn off. Religion, devotion, spirituality, mysticism: art’s interest in these subjects is back – in very different ways: diverse, sometimes very personal or autobiographical. Nietzsche seems to have been proven right after all. There is no longer anything supernatural that connects us all. But who still loses sleep over that, who still mourns that? In any case, it no longer stops artists from embracing religion with new vigour.

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2025-09-01
2025-12-17
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References

  1. Kunstsammlung Nordrhein-Westfalen (Düsseldorf) (2015). The Problem of God (I. Malz cur.), Bielefeld: Kerber.
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  2. Prins, W. (2021). Uit beeld verdwenen. Religieuze Kunst in de jaren zestig, Trajecta, 30(1), p. 173-190.
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  3. Aan de rand van de hemel. Visioenen. Gids bij gelijknamige expositie in Museum Krona, 2023.
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