2004
Volume 10, Issue 1
  • ISSN: 2211-6249
  • E-ISSN: 2211-6257

Abstract

Abstract

By analysing the anti-feminist and misogynistic narratives in Anders Behring Breivik’s compendium , this article argues that Breivik’s counterjihadist worldview can be located both as a permutation of ‘generic fascism’ and as a form of nonegalitarian ‘identity politics’. First, the article reframes and reformulates Nancy Fraser’s concept of identity politics, as it sets Breivik’s ideology in relation to her theory of a ‘politics of recognition’, arguing that her theories – originally developed to analyse left-wing politics – can be used to identify how questions of identity are at the centre of the dynamics of Breivik’s far-right ideology. The article then goes on to demonstrate how Breivik’s misogynist narratives are plotted into a broader fascist conception of history, where the alleged feminised and Islamised present is described as an estrangement from a glorious past dominated by white, European men. As a result, Breivik’s futural palingenetic vision of a ‘European cultural renaissance’ is not only going to resurrect a white, homogenous, ‘Christian’ society, but also restore patriarchy.

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2021-06-24
2025-12-07
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