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This article explores how contemporary worship music functions as a practice in which holy impulses are sought and experienced. Drawing on Jan Martijn Abrahamse’s understanding of the sacred as a dynamic, relational reality that manifests within concrete cultural practices, the article approaches worship music not primarily as a textual or aesthetic object, but as a musical–liturgical practice. Engaging insights from philosophy of music (Small, Davies, Bicknell), theology, and hermeneutics (Gadamer), it analyzes how familiarity, repetition, embodied participation, and layered meaning-making contribute to experiences of divine presence. Within this framework, worship music acquires a sacramental dimension. Not as a ritual performed by human agents, but as a practice in which God is experienced as present and active. For many believers, contemporary worship music thus emerges as a space in which the sacred can become perceptible.