Een koningin met vele gezichten

References

1. Ashton, S.A.2009. Cleopatra and Egypt, Hoboken.
   [Google Scholar]
2. Atkinson, M.2003. Tattooed. The sociogenesis of a body art, Toronto.
   [Google Scholar]
3. Bondioli, N., M.Texeira-Bastos en L.C.Carneiro. 2019. ‘History, design and archaeology. The reception of Julius Caesar and the representation of gender and agency in Assassin’s creed origins’, Die Skriflig53, 1-16.
   [Google Scholar]
4. Bronfen, E.2013. ‘Cleopatra’s Venus’, in A.B.Renger en J.Solomon (eds), Ancient worlds in film and television, Leiden, 137-150.
   [Google Scholar]
5. Butler, J. 19992. Gender trouble. Feminism and the subversion of identity, New York.
   [Google Scholar]
6. Carlà-Uhink, F. en A.Wieber. 2020. ‘Introduction’, in F.Carlà-Uhink en A.Wieber (eds), Orientalism and the reception of powerful women from the ancient world, Londen, 1-16.
   [Google Scholar]
7. Cyrino, M.S.2005. Big screen Rome, Hoboken.
   [Google Scholar]
8. Daugherty, G.N.2022. The reception of Cleopatra in the age of mass media, Londen.
   [Google Scholar]
9. De Pourcq, M.2012. ‘Classical reception studies. Reconceptualizing the study of the classical tradition’, The International Journal of the Humanities. Annual Review9, 219-226.
   [Google Scholar]
10. De Pourcq, M.2022. ‘“Tegen een schrille witte achtergrond”. Geheugenstrijd en oudheidreceptie in de 21e eeuw’ in E.Huig, I.Kuin en M.Liebregts (eds), 209-231.
    [Google Scholar]
11. El Daly, O.2005. The missing millennium. Ancient Egypt in medieval Arabic writings, Londen.
    [Google Scholar]
12. Haley, S.P.1993. ‘Black feminist thought and classics. Re-membering, re-claiming, re-empowering’, in N.S.Rabonowitz en A.Richlin (eds), Feminist theory and the classics,New York, 23-43.
    [Google Scholar]
13. Hardwick, L. en C.Stray. 2011. A companion to classical receptions, Malden.
    [Google Scholar]
14. Hughes-Hallett, L.1990. Cleopatra. Histories, dreams and distortions, New York.
    [Google Scholar]
15. Huig, E., I.Kuin en M.Liebregts (eds). 2022. De huid van Cleopatra. Etniciteit en diversiteit in oudheidstudies, Hilversum.
    [Google Scholar]
16. Huig, E., I.Kuin en M.Liebregts. 2022. ‘Inleiding’, in E.Huig, I.Kuin en M.Liebregts (eds), 13-33.
    [Google Scholar]
17. Jones, P.J.2008. Cleopatra. A sourcebook, Oklahoma.
    [Google Scholar]
18. Maier, A.J.2021. ‘“Is Cleopatra Black?”. Examining whiteness and the American new woman’, Humanities10, 1-18.
    [Google Scholar]
19. Oppen de Ruiter, B.F. van. 2021. ‘Regina meretrix. De “hoerenkoningin” Cleopatra VII’, Groniek226, 9-22.
    [Google Scholar]
20. Pennington, R.2016. ‘Dissolving the other. Orientalism, consumption, and Katy Perry’s insatiable Dark horse’, Journal of Communication Inquiry40, 111-127.
    [Google Scholar]
21. Riad, S.2011. ‘Invoking Cleopatra to examine the shifting ground of leadership’, The Leadership Quarterly22.5, 831-850.
    [Google Scholar]
22. Samuel, M.2023. ‘Over afrocentrisme, een zwarte Cleopatra en faraonische funk’, Groene Amsterdammer22.05.2023, www.groene.nl/artikel/over-afrocentrisme-een-zwarte-cleopatra-en-faraonische-funk.
    [Google Scholar]
23. Soliman, D.2022. ‘Hoe de huidskleur van de oude Egyptenaren telkens van tint verandert’, in E.Huig, I.Kuin en M.Liebregts (eds.), 49-74.
    [Google Scholar]
24. Streiff, M. en L.Dundes. 2017. ‘Frozen in time. How Disney gender-stereotypes its most powerful princess’, Social Sciences6.
    [Google Scholar]
25. Strootman, R.2014. ‘Van de Hellespont tot India. Cleopatra VII en de “Donaties van Alexandrië”’, Lampas47.2, 120-137.
    [Google Scholar]
26. Strootman, R.2023. ‘Cleopatra’s veeltaligheid’, Lampas56.2, 153-175.
    [Google Scholar]
27. Strübel, J. en D.Jones. 2017. ‘Painted bodies. Representing the self and reclaiming the body through tattoos’, Journal of Popular Culture50.6, 1230-1253.
    [Google Scholar]
28. Velden, B. van der. 2013. ‘Latijnse tatoeages. Moderne monumenten’, Lampas46, 449-456.
    [Google Scholar]
29. Walker, S. en S.A.Ashton. 2006. Cleopatra, Londen.
    [Google Scholar]