2004

Abstract

Based on the analysis of the intonational structure of Sergey Taneyev's piano quintet, the author of the present article explains the features of the composer's interpretation of the idea of ensemble. Sergey Taneyev's well-balanced composition frames and organizes the musical flow, reflecting the undying persistence of a human spirit. In Taneyev's interpretation of a quintet as a "little" symphony, the idea of action in development (the core one in symphonic drama) is specified along the lines of the idea of spiritual ascension. The ontological process is indicated by the basic principles connected to the principle of chanting.


Loading

Article metrics loading...

/content/papers/10.5117/9789048557240/ICASSEE.2021.013
2021-12-31
2022-12-08
http://instance.metastore.ingenta.com/content/papers/10.5117/9789048557240/ICASSEE.2021.013
Loading
This is a required field
Please enter a valid email address
Approval was a Success
Invalid data
An Error Occurred
Approval was partially successful, following selected items could not be processed due to error