Interpretation of the Chanting Principle in the Intonational Structure of Sergey Taneyev's Piano Quintet | Amsterdam University Press Journals Online


Based on the analysis of the intonational structure of Sergey Taneyev's piano quintet, the author of the present article explains the features of the composer's interpretation of the idea of ensemble. Sergey Taneyev's well-balanced composition frames and organizes the musical flow, reflecting the undying persistence of a human spirit. In Taneyev's interpretation of a quintet as a "little" symphony, the idea of action in development (the core one in symphonic drama) is specified along the lines of the idea of spiritual ascension. The ontological process is indicated by the basic principles connected to the principle of chanting.


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