oa Het theater van de pervert. Perversiteit als het edele wapen van de acteur

In this contribution, Katarina Antunovic examines the term “perversity”. She approaches the concept as a paradoxical synthesis: highly sensory and physical, but at the same time always invisible and elusive. In Flemish acting courses, the notion is all too often mentioned, always with a different interpretation and often unambiguously interpreted by students in a sexual manner, leaving its exact meaning undecided.