2004
  1. Home
  2. A-Z Publications
  3. Lampas
  4. Volume 57, Issue 3
  5. Article
Volume 57, Issue 3
  • ISSN: 0165-8204
  • E-ISSN: 2667-1573

Abstract

Abstract

In the nineteenth century, plaster casts of antiquities became popular in exhibitions. Copies of Roman antiquities from Belgium and the Netherlands were used in the last century for two exhibitions with a political message in Rome, the (1911) and the (1937-1938). This article examines the selection process, the political messages that were supported by using these copies, and the changes in the ‘dialogue’ between Rome and the Low Countries about these exhibitions. While Belgians and the Dutch had little interest in the first exhibition, reactions to the second were more mixed due to criticism of its fascist themes. This article thus also reflects on the power (of expression) of copies of antiquities, which seems to depend on factors in the past, present and future.

© Christian Kicken
Loading

Article metrics loading...

/content/journals/10.5117/LAM2024.3.003.KICK
2024-10-01
2025-04-27
Loading full text...

Full text loading...

References

  1. Almieri, R.1937. ‘Lettre d’Italie. Le bimillénaire de César Auguste, Une grande exposition de la romanité s’ouvrira à Rome au mois de septembre’, Le Vingtième Siècle17.08.1937.
     [Google Scholar]
  2. Arthurs, J.2012. Excavating modernity. The Roman past in fascist Italy, Ithaca/Londen.
     [Google Scholar]
  3. Arthurs, J.2018. ‘Bathing in the spirit of eternal Rome. The Mostra Augustea della Romanità’, in H.Roche en K.Demetriou (eds), Brill’s companion to the Classics, fascist Italy and Nazi Germany, Leiden/Boston, 157-177.
     [Google Scholar]
  4. Beek, R. van2020. ‘“Een collectie om heerlijk van te genieten”. Gipsen beelden in het Amsterdamse Allard Pierson’, Archeologie Magazine5, 18-21.
     [Google Scholar]
  5. Boulenge, J. Le.1938. ‘L’Italie éternelle. L’exposition de la Romanité, ou l’Histoire revue et corrigée par M. [sic] Mussolini’, Le Vingtième Siècle27.05.1938.
     [Google Scholar]
  6. Cavagna, A.2020. ‘Il “benefico impulso” di Roma. La Mostra Augustea della Romanità e le province’, in P.Salvatori (ed.), Il fascismo e la storia, Pisa, 51-72.
     [Google Scholar]
  7. Cools, H. en H.de Valk. 2004. Institutum Neerlandicum MCMIV-MMIV. Honderd jaar Nederlands Instituut te Rome, Hilversum.
     [Google Scholar]
  8. Colombo, C.1958. Museo della Civiltà Romana. Catalogo, Rome.
     [Google Scholar]
  9. Couperus, L.1911. ‘Bladen uit mijn dagboek: XXII. De tentoonstelling in de Terme Diocleziane’, Het Vaderland27.05.1911.
     [Google Scholar]
  10. Eickhoff, M.2012. ‘Alexander Willem Byvanck (1884-1970)’, in G.Brands en M.Maischberger (eds), Lebensbilder. Klassische Archäologen und der Nationalsozialismus (vol. 1), Rahden, 107-117.
     [Google Scholar]
  11. Espérandieu, E.1925. Recueil général des bas-reliefs de la Gaule romaine 9. Gaule, Germanique (dl. 3) et supplément, Parijs.
     [Google Scholar]
  12. Frederiksen, R. en E.Marchand (eds). 2010. Plaster casts. Making, collecting and displaying from Classical Antiquity to the present, Berlijn/New York.
     [Google Scholar]
  13. Geleijnse, H.2022. Fascisme en de goede dictator. Oordelen en dwalingen van de Nederlandse pers (1920-1940), Hilversum.
     [Google Scholar]
  14. Giglioli, G. (ed.). 1911. Esposizione Internazionale di Roma 1911. Catalogo della Mostra Archeologica nelle Terme di Diocleziano, Bergamo.
     [Google Scholar]
  15. Giglioli, G.1929. Museo dell’ Impero Romano. Catalogo, Rome.
     [Google Scholar]
  16. Giglioli, G. (ed.). 1938a4. Mostra Augustea della Romanità. Catalogo, Rome.
     [Google Scholar]
  17. Giglioli, G. (ed.) 1938b4. Mostra Augustea della Romanità. Catalogo, appendice bibliográfica e indici, Rome.
     [Google Scholar]
  18. Guislain, A.1938. ‘Symphonie Romaine. Exposition de la Romanité en l’honneur de l’Empereur Auguste’, L’Indépendance Belge03.09.1938.
     [Google Scholar]
  19. Haan, N. de.2008. ‘De helm van Scipio. Archeologie en Italiaans imperialisme in Libië aan het begin van de twintigste eeuw’, Ex Tempore27.3, 185-200.
     [Google Scholar]
  20. Haan, N. de.2015. ‘Fare gli italiani. Het Romeinse verleden in modern Italië’, Lampas48.4, 395-410.
     [Google Scholar]
  21. Harris, O. en C.Cipolla. 2017. Archaeological theory in the new millennium. Introducing current perspectives, Abingdon/New York.
     [Google Scholar]
  22. Holwerda, J., M.Evelein en N.Krom. 1908. Catalogus van het Rijksmuseum van Oudheden te Leiden. Afdeeling praehistorie en Nederlandsche oudheden, Leiden.
     [Google Scholar]
  23. Holwerda, J.1934. Jaarverslag Rijksmuseum van Oudheden 1934, Leiden.
     [Google Scholar]
  24. Iannantuono, K.2022. ‘Displaying plaster casts, staging Romanization. The Mostra Archeologica at the Baths of Diocletian and nationalistic biases in Roman provincial archaeology’, Journal of the History of Collections34.1, 95-112.
     [Google Scholar]
  25. Leopold, H.1938. ‘De “Mostra Augustea della Romanità”’, Mededeelingen van het Nederlandsch Historisch Instituut te Rome2.8, 13-26.
     [Google Scholar]
  26. Liberati, A.2015. ‘Bimillenario della nascita di Augusto. La rappresentazione delle province augustee della Hispania romana nella Mostra Augustea della Romanità del 1937-1938’, in J.López Vilar (ed.), August i les províncies occidentals. 2000 aniversari de la mort d’August, Actes 2on Congrés Internacional d’Arqueologia i Món Antic Tarraco Biennal, Tarragona, 179-184.
     [Google Scholar]
  27. Liberati, A.2019. ‘La Mostra Augustea della Romanità’, Civiltà Romana. Rivista pluridisciplinare di studi su Roma antica e le sue interpretazioni6, 53-95.
     [Google Scholar]
  28. Loë, A. de.1911. ‘Rome. Nos envois à L’Exposition archéologique’, Bulletin des Musées Royaux des Arts Decoratifs et Industriels a Bruxelles10.7, 53-54.
     [Google Scholar]
  29. Meens, F.2009. ‘Historisch erfgoed. Bataafse bondgenoten van Rome? De relatie van het Nederlands Instituut te Rome met het Italiaanse fascisme’, Groniek182, 79-88.
     [Google Scholar]
  30. Nelis, J.2007. ‘Constructing fascist identity. Benito Mussolini and the myth of romanità’, The Classical World100.4, 391-415.
     [Google Scholar]
  31. Olthof, D. en M.Teunissen. 2018. Beauty en fashion. De laatste trends uit het oude Rome, Leiden.
     [Google Scholar]
  32. Onbekend. 1911a. ‘Belgique, chronique electorale. La Belgique a l’exposition archéologique de Rome’, La Meuse28.08.1911.
     [Google Scholar]
  33. Onbekend. 1911b. ‘Het Romeinsche rijk op de Tentoonstelling’, Algemeen Handelsblad13.03.1911.
     [Google Scholar]
  34. Onbekend. 1937a. ‘Ce que sera. La Mostra Augustea della Romanità’, La Meuse08.11.1937.
     [Google Scholar]
  35. Onbekend. 1937b. ‘La celébration romaine du bimillénaire d’Auguste’, La Nation Belge24.09.1937.
     [Google Scholar]
  36. Palombi, D.2009. ‘Rome 1911. L’Exposition archéologique du cinquantenaire de l’Unité italienne’, Anabases9, 71-100.
     [Google Scholar]
  37. Panisperna. 1937a. ‘Chronique Romaine. Le bi-millénaire d’Auguste, L’Exposition de la “Romanité”’, L’Indépendance Belge12.04.1937.
     [Google Scholar]
  38. Panisperna. 1937b. ‘Chronique Romaine. Le bi-millénaire d’Auguste, L’Exposition de la “Romanité”’, L’Indépendance Belge14.04.1937.
     [Google Scholar]
  39. Sartorio, G., D.Mancioli, A.Liberati Silverio en V.Fioravanti (eds). 1983. Roma Capitale 1870-1911. Dalla mostra al museo, Dalla Mostra archeologica del 1911 al Museo della civiltà romana, Rome.
     [Google Scholar]
  40. Schrijvers, P.2000. Rome, Athene, Jeruzalem. Leven en werk van prof. dr. David Cohen, Groningen.
     [Google Scholar]
  41. Scriba, F.1995. Augustus im Schwarzhemd? Die Mostra Augustea della Romanità in Rom 1937/38, Frankfurt am Main.
     [Google Scholar]
  42. Sellers Strong, E.1911. ‘The exhibition illustrative of the provinces of the Roman empire, at the Baths of Diocletian, Rome’, The Journal of Roman Studies1, 1-49.
     [Google Scholar]
  43. Tyldesley, J.2018. Nefertiti’s face. The creation of an icon, Cambridge, MA.
     [Google Scholar]
  44. Visser, R.1992. ‘Fascist doctrine and the cult of the romanità’, Journal of Contemporary History27, 5-22.
     [Google Scholar]
  45. Wagenvoort, M.1911. ‘De Italiaanse feesten. Italië op zijn breedst. II.’, De Nieuwe Courant29.04.1911.
     [Google Scholar]
  46. Wagenvoort, H.1938a. ‘Na tweeduizend jaar. Augustus de Verhevene’, De Telegraaf13.03.1938.
     [Google Scholar]
  47. Wagenvoort, H.1938b. ‘Het verleden als propaganda voor de toekomst’, De Telegraaf17.03.1938.
     [Google Scholar]
  48. Wagenvoort, H.1938c. ‘Het verleden als propaganda voor de toekomst’, Deli Courant29.03.1938.
     [Google Scholar]
  49. Whiddington, R.2023. ‘The world’s first A.I.-generated statue, cobbling together the styles of five celebrated sculptors, has landed in a Swedish museum’, Artnet24.05.2023, news.artnet.com/art-world/impossible-statue-ai-generated-stockholm-museum-2308845 (geraadpleegd op 6september2023).
     [Google Scholar]
  50. Wenman, C.2019. ‘A German museum tried to hide this stunning 3D scan of an iconic Egyptian artifact. Today you can see it for the first time’, Reason11.13.2019, reason.com/2019/11/13/a-german-museum-tried-to-hide-this-stunning-3d-scan-of-an-iconic-egyptian-artifact-today-you-can-see-it-for-the-first-time/ (geraadpleegd op 6september2023).
     [Google Scholar]
/content/journals/10.5117/LAM2024.3.003.KICK
Loading
De kracht van de kopie
LAMPAS 57, 245 (2024); https://doi.org/10.5117/LAM2024.3.003.KICK
/content/journals/10.5117/LAM2024.3.003.KICK
/content/journals/10.5117/LAM2024.3.003.KICK
Loading

Data & Media loading...

Keyword(s): Mostra Archeologica; Mostra Augustea della Romanità; object biographies; plaster casts; romanità

Most Cited Most Cited RSS feed

This is a required field
Please enter a valid email address
Approval was a Success
Invalid data
An Error Occurred
Approval was partially successful, following selected items could not be processed due to error