oa Specification for a Bestseller

References

1. As-Vijvers, Anne Margreet W., ‘Manuscript Production in the Monastery of St Hieronymusdal in Lopsen, near Leiden’, Oud Holland, 134 (2021), 69–100
   [Google Scholar]
2. Caers, Bram, ‘Een leeg blad, maar vol nieuwe vragen’, in Trouw aan de tekst: historische letterkunde in de praktijk, ed. by BramCaers & others (Hilversum: Verloren, 2024), pp. 87–96
   [Google Scholar]
3. Delaissé, L.M.J., ‘The Importance of Books of Hours for the History of the Medieval Book’, in Gatherings in Honor of Dorothy E. Miner, ed. by Ursula E.McCracken, Lillian M.C.Randall & Richard H.Randall (Baltimore: The Walters Art Gallery, 1974), pp. 203–25
   [Google Scholar]
4. Enno van Gelder, H., ‘Nieuwe guldens, Arnhemse guldens, Rijnse guldens enzovoort’, in De Nederlanden in de late middeleeuwen, ed. by D.E.H.de Boer & J.W.Marsilje (Utrecht: Het Spectrum, 1987), pp. 354–62
   [Google Scholar]
5. Farquhar, James Douglas, ‘The Manuscript as a Book’, in Pen to Press: Illustrated Manuscripts and Printed Books in the First Century of Printing, ed. by SandraHindman & James DouglasFarquhar (College Park, MA: Art Department, University of Maryland, 1977), pp. 11–99
   [Google Scholar]
6. Christianson, C. Paul, A Directory of London Stationers and Book Artisans, 1300–1500 (New York: The Biographical Society of America, 1990)
   [Google Scholar]
7. Donovan, Claire, The de Brailes Hours: Shaping the Book of Hours in Thirteenth-Century Oxford, Toronto Medieval Texts and Translations, 7 (Toronto: University of Toronto Press, 1991)
   [Google Scholar]
8. Korteweg, Anne S., ‘Books of Hours from the Northern Netherlands Reconsidered: The Uses of Utrecht and Windesheim and Geert Grote’s Role as a Translator’, in Books of Hours Reconsidered, ed. by SandraHindman & James H.Marrow, Studies in Medieval and Early Renaissance Art History, 72 (London: Harvey Miller, 2013), pp. 233–59
   [Google Scholar]
9. Kwakkel, Erik, ‘Commercial Organization and Economic Innovation’, in The Production of Books in England 1350–1500, ed. by AlexandraGillespie & DanielWakelin, Cambridge Studies in Palaeography and Codicology, 14 (Cambridge: Cambridge University Press, 2011), pp. 173–91
   [Google Scholar]
10. Manion, Margaret M. & Bernard J.Muir, The Art of the Book: Its Place in Medieval Worship (Exeter: University of Exeter Press, 1998)
    [Google Scholar]
11. Marrow, James H., ‘Notes on the Liturgical “Use” of the Hours of the Virgin in the Low Countries’, in Manuscripten en miniaturen: studies aangeboden aan Anne S. Korteweg bij haar afscheid van de Koninklijke Bibliotheek, Bijdragen tot de Geschiedenis van de Nederlandse Boekhandel, N.R., 8 (Zutphen: Walburg Pers, 2007), pp. 279–94
    [Google Scholar]
12. Rouse, Richard H. & Mary A.Rouse, Manuscripts and their Makers: Commercial Book Producers in Medieval Paris, 1200–1500, Studies in Medieval and Early Renaissance Art History, 25, 2 vols (London: Harvey Miller Publishers, 2000)
    [Google Scholar]
13. Rudy, Kathryn M., Piety in Pieces: How Medieval Readers Customized their Manuscripts (Cambridge: Open Book Publishers, 2016)
    [Google Scholar]
14. Stoop, Patricia, ‘“Dits scrifte dat nu in der handen es”: Writing for Third Parties in the Brussels Convent of Jericho’, Quaerendo, 42 (2012), 114–33
    [Google Scholar]
15. van Wijk, N., Het getijdenboek van Geert Grote naar het Haagse handschrift 133 E 21, Leidsche drukken en herdrukken, kleine reeks, 3 (Leiden: Brill, 1940)
    [Google Scholar]