Heritage, Memory and Conflict Journal
Volume 1, Issue 1, 2026
- Editorial
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- Research Article
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Sites of violence and their communities: critical memory studies in the post-human era
More LessAuthor: Roma SendykaAbstract“Sites of Violence and their Communities” presents the results of a research project that brought together scholars and practitioners of memory work in an attempt to critically reinterpret the links between sites, their (human, and non-human) users, and memory. These interdisciplinary discussions focused on overlooked, repressed or ignored sites of violence that may benefit from new approaches to memory studies, approaches that go beyond the traditional focus on communication, symbolism, representation and communality. Clandestine or contested sites, in particular, pose challenging questions about memory practices and policies: about the status of unacknowledged victims and those who witnessed their deaths; about those who have inherited the position of “bystander”; about the ontology of human remains; and about the ontologies of the sites themselves, with the natural and communal environments implicated in their perdurance. Claude Lanzmann – one of the first to undertake rigorous research on abandoned, uncommemorated or clandestine sites of violence – responded to Pierre Nora’s seminal conception with his work and with the critical notion of “non-lieux de mémoire.” Methodologies emerging from more traditional as well as recently introduced perspectives (like forensic, ecological, and material ones) allowed team members to engage with such “non-sites of memory” from new angles. The goal was to consider the needs and interests of post-conflict societies; to identify and critically read unofficial transmissions of memory; and to re-locate memory in new contexts – in the grassroots of social, political and institutional processes where the human, post-human and natural merge with unanticipated mnemonic dynamics.
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- Article
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Martyr Materiality in Exhumations under the Spanish Dictatorship: Deconstructing the Francoist Narrative in the 1939 Soto de Aldovea Case
More LessAuthors: Miriam Saqqa-Carazo & Layla RenshawAbstractThe Spanish Civil War ended in 1939 with Franco’s victory, beginning a dictatorship marked by extreme political repression. The dictatorship initiated an elaborate commemorative regime to honour the Francoist dead and vilify the defeated Republicans. A striking feature of Franco’s memory politics was the Causa General, a bureaucratic accounting of war deaths throughout Spain. The process characterised the regime’s dead as martyrs, whilst demonising Republicans as perpetrators. Forensic science was deployed by the Franco regime in their construction of post war narratives, one of the earliest historical examples of such usage. This article employs the approach of archival forensics to examine the reports of exhumations conducted in 1939, and the contemporaneous media coverage. We examine how facts about the war were constructed by the regime and then disseminated as propaganda. This article will focus on exhumations at Soto de Aldovea (Madrid). In December 1939, the Military Court of the dictatorship in conjunction with a relatives’ association, excavated 414 corpses, which the regime defined as “Martyrs and Fallen”. The examination of human remains was rudimentary, even by the standards of the time. Instead, the regime focused on the associated objects—personal effects, clothing, and documents—which were critical to the identification process. Out of the 414 bodies exhumed, only 69 were identified. Notably, a third were found with valuable personal items, described in detail in the archive, offering material insights into the dead. This exhumation highlights how Franco’s dictatorship used post-war exhumation processes to reinforce its historical narrative. The analysis of the evidence and its role in the identifications, allows us to interrogate the martyrdom narrative of the regime, through his own judicial, forensic, and material construction. This case also enables a critical engagement with the broader issues raised by forensic science as a modality of historical representation.
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- Research Article
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Necrocartography: Topographies and topologies of non-sites of memory
More LessAuthors: Aleksandra Szczepan & Kinga SiewiorAbstractBased on the experience of spatial confusion and inadequacy common during visits to uncommemorated sites of violence, the authors propose expanding the topological reflection in the research on the spatialities of the Holocaust, as well as to introduce topology into the analysis of the everyday experiences of users of the postgenocidal space of Central and Eastern Europe. The research material is composed of hand-drawn maps by Holocaust eyewitnesses – documents created both in the 1960s and in recent years. The authors begin by summarizing the significance of topology for cultural studies, and provides a state-of-the-art reflection on cartography in the context of the Holocaust. They then proceed to interpret several of the maps as particular topological testimonies. The authors conclude by proposing a multi-faceted method of researching these maps, “necrocartography”, oriented by their testimonial, topological and performative aspects.
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Testimoniality: A lexicon of witnesses of Holocaust non-sites of memory in Poland
More LessAuthors: Maria Kobielska & Aleksandra SzczepanAbstractThe authors analyse grassroots modalities of the figure of witness in the communities living in the vicinity of uncommemorated sites of past violence. Testimoniality, understood as the disposition to bear witness, i.e. both the willingness to testify and the ability to provide important information, is discussed in relation to complex, heterogenic and dynamic assemblages that form around the sites in question, comprising both human (neighbours, wardens) and non-human actors (the landscape and biotope, material objects), diverse practices, performative gestures, and relations. The analysis is placed in the context of the debate on the complicated status of the “witness” as a category in the Polish post-war culture of memory, as well as of new relevant categories emerging in both Polish and international scholarship on the Holocaust. The authors conceptually systematise testimonial situations and propose a lexicon of testimonial positions, practices and objects that are grounded in the material gathered in fieldwork during the research project on unmemorialised sites of genocide in Poland. They distinguish: the crown witness, the trustee, the volunteer, the official and the contingent witness, and discuss categories of testimonial gesture, testimonial performance, testimonial object, and testimonial words.
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- Article
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Making Bottom-up Narratives in the Korean War Heritage: The Case of the Jeju 4.3 Peace Park
More LessAuthor: Geonyoung KimAbstractThis paper examines the role of museums in shaping public perceptions of past conflict through visual representation. It explores how victim-perpetrator narratives are constructed and visualised within museum spaces and how such representations contribute to the reconciliation process. This study focuses on the visual representation of the Jeju 4.3 Incident in the Jeju 4.3 Peace Park in South Korea. It applies thematic analysis to examine textual descriptions, along with formal and iconographic analysis to analyse images and artworks, exploring the narratives constructed within the museum space. Particular attention is paid to the stakeholders of the presented voices and the format of visual communication in delivering bottom-up narratives. The paper argues that museum representations in the Jeju 4.3 Peace Park contribute to the reconciliation process by providing a space to negotiate different interpretations of the conflicting past. This is achieved by giving victims a platform to share their perspectives, exposing state violence within a state-led museum, and promoting the recognition and commemoration of victims. By publicly engaging with difficult and dissonant heritage, the exhibition reintroduces the conflict into collective memory, encouraging changes in public perception and shaping shared understanding of the past.
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- Research Article
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Vernacular historical practices on Holocaust non-sites of memory in Poland
More LessAuthor: Jakub MuchowskiAbstractThe approach employed by memory activists to sites of memory often involves historical practices. This paper presents the results of the examination of historical practices undertaken in locations of Holocaust violence during World War II and the disposal of victims’ remains that were not memorialised properly according to local residents or other groups with an interest in the sites’ past. The analysed practices were observed in the course of field research in various locations in Poland. The goal of the research was to describe these practices, discuss their critical potential, and indicate their distinct features as activities pertaining to contested sites of memory. A central tool for approaching this task is found in concepts of “non-site of memory” and “vernacular historian” as introduced to the debate by Claude Lanzmann and Lyle Dick. As a result, the article presents the cases of four vernacular historians whose practices are experimental combinations of the components of the work of professional historians and ways of working conditioned by local cultural environments, individual experience and commitment to communal life. Although vernacular history is sometimes considered of little value by academic historians, the research shows that the practices in question have the potential to produce new, socially relevant knowledge. Two distinct features of vernacular historical practices in non-sites of memory were observed: these unmarked sites of burial attract activists and prompt them to undertake historical practices; vernacular historians of these locations often undertake unconventional, sometimes experimental activities..
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Vernacular memory and implicated communities
More LessAuthor: Aleksandra JanusAbstractAbandoned sites of trauma in Poland appear to be forgotten, but their removal from social and cultural circles is only superficial. Frequently, these sites are inscribed into the local culture of memory and members of the local Polish communities can usually locate them and share stories about them. However, as they are not commemorated, there is an ambivalent aura around them. In 2017 two foundations (Zapomniane Foundation, The Matzevah Foundation) carried out an intervention into the landscape of Poland by marking thirty burial sites of Jewish victims of the Holocaust with simple wooden markers. The effects of that intervention shed light on the vernacular local memory of the Holocaust and the folk-traditional roots of the practices and behaviors related to these sites.
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Ceremonial events at non-sites of memory: Seven framings of a difficult past
More LessAuthor: Maria KobielskaAbstractAbstract: The author discusses uncommemorated and under-remembered sites of past violence in terms of the conditions of their transformation into memory sites. Commemorative ceremonies, which may be staged at non-sites of memory, are presented as affective media of memory and identity, demonstrating social responses to the sites, as well as placing the local past in the context of supra-local memory forms. The argument is grounded in the material gathered from fieldwork during the research project on uncommemorated sites of genocide in Poland and, predominantly, in a detailed case study of a ceremony witnessed by the author in 2016 in Radecznica (Lublin Voivodship) at a burial site of victims of the “Holocaust by bullets”. In the article the discourse of speeches delivered during the ceremony is analyzed, on the assumption that they can reveal rules of national Polish memory culture dictating what may be commemorated and how cultural mechanisms have a power to hinder commemoration. As a result, seven distinctive framings of past events that kept returning in subsequent speeches were identified and interpreted as “memory devices” that enable and facilitate recollection, but also mark out the limits of what can be remembered and passed on.
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Trauma, Implication and the Politics of Victimhood in the Netherlands after War in Indonesia (1945–9)
More LessAuthors: Susie Protschky & Melle van MaanenAbstractFormer Dutch Prime Minister Mark Rutte’s 2022 apology for the “extreme violence” of Dutch armed forces during Indonesia’s war of independence (1945–9) was not only extended to the “people of Indonesia”. It was also addressed to Dutch veterans and, euphemistically, to the diverse diaspora community from the former Netherlands East Indies in the Netherlands today. Between the lines of Rutte’s apology lurked a problem that has haunted Dutch politics ever since. Exactly which historical actors were responsible for the “extreme violence on the Dutch side?” This article traces how some veterans’ and Indies-diaspora lobbyists have formed what we call “allied entitlement groups”. We focus on how these groups have mobilised politically to object to the spectre that Rutte’s apology raised of their implication (in the Rothbergian sense) in an unjust war, despite his best efforts to appease them. We argue that concepts of trauma and an interdependent politics of victimhood are central to these political mobilisations, in extra-parliamentary politics as well as by Dutch politicians. Our article critiques the historical and conceptual evasions in these political mobilisations, to mount instead an argument for truth-telling and acknowledging complex forms of implication.
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- Research Article
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The “Alert” for non-sites of memory: a 1965 scout action of discovering and describing Second World War sites in Poland
More LessAuthor: Katarzyna GrzybowskaAbstractDuring the First Scouting Alert (Poland 1965), scouts were tasked with finding and describing sites related to the events of Second World War. Those were mostly monuments, places of conflict, graves and body disposal pits. The scouts were tasked with finding such sites in their neighbourhood according to information collected from local communities. The campaign resulted in 26,000 reports in form of the registration sheets containing self-made maps, short descriptions of the found sites and answers to several questions on how to commemorate them. The Alert can be seen as a nationwide response to non-sites of memory.
The article analyses the reports of the scouts, as well as considering the action as a process. It presents the political background of the action and diagnoses its influence on the results of the reconnaissance conducted - types of places to be found and registered or overlooked by scouts. In particular cases, the Alert generated opportunities during which non-sites of memory could be restored to the public awareness. The paper summarizes the campaign and focuses on two cases: Krępiecki Forest and Adampol, described to present the influence of the Alert on the memory cultures. In the neighbourhood of Krępiecki Forest, the Alert was an impulse to transform a person who saw the mass murder into a key witness. The case of archaeological investigations conducted in Adampol shows the potential of the Alert archive materials to evoke the state of unrest and to become forensic evidence
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Depth of the field. Bystanders’ art, forensic art practice and non-sites of memory
More LessAuthors: Aleksandra Janus & Roma SendykaAbstractAbandoned sites of trauma often become objects of art-based research. The forensic turn offered artists the requisite tools to approach uncommemorated post-violence sites to interact with their human and non-human actors. The usage of artistic methods allows us to inspect nondiscursive archives and retrieve information otherwise unavailable. The new wave of “forensic art” joins the efforts of post-war artists to respond to sites of mass killings. In the post-war era, sites of trauma were presented as (implicated) landscapes, or unhospitable terrains. The tendency to narrow space to the site and to contract the perspective is continued today by visual artists entering difficult memory grounds, looking down, inspecting the ground with a “forensic gaze”. A set of examples of such artistic endeavors, following the research project Uncommemorated Genocide Sites and Their Impact on Collective Memory, Cultural Identity, Ethical Attitudes and Intercultural Relations in Contemporary Poland (2016–2020) is discussed as “bystanders’ art.”
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The Shadow of Mussert’s Wall: Lifting the Taboo on Dutch National-Socialist Heritage?
More LessAuthor: Bart ZwegersAbstractInspired by the Nazi rally grounds in Nurnberg, the National Socialist Movement of the Netherlands (NSB) purchased a plot of land near the village of Lunteren where they created an open-air theatre that could accommodate thousands of people. On one side of the terrain a long curved wall was constructed, which is known today as ‘Mussert’s wall’ after NSB-leader Anton Mussert who used it as a podium to deliver his speeches. Since the early 2000s, discussion arose about the site’s future. On the one hand, some local political parties and heritage organisations wanted to restore and preserve it. On the other hand, the Centre for Information and Documentation Israel (CIDI) tried to prevent this, fearing that Mussert’s wall would become a place of pilgrimage for right-wing extremists. In 2018, the national heritage agency of the Netherlands (RCE) decided to enlist the building as a national monument. This started a new discussion about how the site should be presented to visitors. This paper analyses the interplay between stakeholders involved in discussions about Mussert’s wall, including local communities, governments, heritage professionals, and other interest groups, as well as the strategies they considered for this site, ranging from demolition to preservation and adaptive reuse.
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- Research Article
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Radecznica memory game. An educational workshop
More LessAuthors: Tomasz Z. Majkowski & Katarzyna SuszkiewiczAbstractThe paper describes and discusses the educational workshop in the form of a board game jam held in Radecznica, a village in Eastern Poland. The event, organised by researchers from the Jagiellonian University in Krakow, was a follow-up of the research project on uncommemorated Jewish mass graves in the area. The aim of the workshop was to facilitate individual reflection on local Holocaust killings amongst the participating adults, as well as to bolster the memory of mass graves in Radecznica. Combining Holocaust memories with the didactic properties of rapid board game design, it was also an attempt to employ game jams as a method in Holocaust-related education. The workshop’s success leaves us optimistic regarding the method and its possible applications in the future.
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- Interview
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Sites of violence and their communities: Critical memory studies in the post-human era (Kraków, 24–25 September 2019)
More LessAuthor: Aleksandra SzczepanAbstractThis discussion gathers voices of an international group of researchers and practitioners from various disciplines and institutions who focus on diverse aspects of sites of past violence in their work: archaeology, history, ethics, literature and art, curatorial practices, oral history, education and commemoration. The debate, which took place during the conference “Sites of Violence and Their Communities: Critical Memory Studies in the Post-Human Era” in Kraków in September 2019, itself centres on six main topics: the question of archives of uncommemorated killing sites; research methodology; the position of the researchers themselves; the problem of complicity during conflict and the right to be a witness to past crimes; the place of the Righteous Among the Nations within Polish collective memory and the international debate on the Holocaust; and, finally, new ways of commemoration and education about mass violence.
Participants: Katarzyna Bojarska, Michał Chojak, Ewa Domańska, Zuzanna Dziuban, Karolina Grzywnowicz, Aleksandra Janus, Karina Jarzyńska, Maria Kobielska, Rob van der Laarse, Bryce Lease, Erica Lehrer, Jacek Leociak, Tomasz Łysak, Tomasz Majkowski, Christina Morina, Matilda Mroz, Adam Musiał, Agnieszka Nieradko, Łukasz Posłuszny, Roma Sendyka, Caroline Sturdy Colls, Katarzyna Suszkiewicz, Aleksandra Szczepan, Krijn Thijs, Jonathan Webber, Anna Zagrodzka, Tomasz Żukowski
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Proprietary Victims: Holocaust Commemoration and Right-Wing Consolidation in the Netherlands
More LessAuthors: Nicolaas P. Barr & Jazmine ContrerasAbstractIn the early 2020s, two seemingly unrelated political developments came to a head in the Netherlands. First, in January 2020, then-Prime Minister Mark Rutte of the center-right VVD party issued an official apology on behalf of the Dutch government for its complicity in the deaths of more than 100,000 Dutch Jews in the Holocaust. Second, in the November 2023 national elections, Geert Wilders’s anti-Muslim, pro-Israel PVV party won the highest percentage of votes, leading to the formation of a far-right cabinet under Prime Minister Dick Schoof in July 2024. In this article, we argue that this double consolidation of the historical legacy of the Holocaust and of racist, right-wing politics has put Dutch Jews in a dangerous bind. On the one hand, the memory of the Holocaust and the contemporary safety of Dutch Jews have been elevated as a paramount concern in Dutch institutional, legal, and political life. On the other hand, Dutch Jews have been positioned as the perennial would-be victims of violent antisemitism—virtually always, it is falsely imagined, at the hands of Dutch Muslims. The historical persecution of the Jews in the Holocaust is now used to underwrite a “proprietary” form of Jewish victimhood in the present: non-Jewish white Dutch people position themselves as the saviors of Jews, and thereby claim ownership over their past, their collective fate, and the political means to secure their safety.
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Beyond the memory imperative? The politics of victimhood in Srebrenica’s The failure of the International Community
More LessAuthor: Marjolein UittenbogaardAbstractThis article examines the politics of victimhood in the Srebrenica Memorial Centre’s permanent exhibition, The failure of the International Community, a joint venture with the Dutch organisations PAX and Memorial Centre Camp Westerbork. Departing from the exhibition’s curation process and its sociopolitical dimensions, this article questions how the exhibition’s textual and visual narratives are shaped by social and political discourses of victimhood, perpetratorship and implication. This article demonstrates how the exhibition draws on dominant narrative templates and tropes derived from the ‘memory imperative.’ This template shapes representations of Bosniak victimhood along gendered binaries, while keeping perpetratorship at a distance through discursive and visual means. The exhibition’s focus on international, and specifically Dutch, actors constructs a narrative of progress and redemption focused on Dutch atonement. By highlighting the memory imperative’s narrative shaping of the exhibition, this article contributes to discussions on power imbalances in transnational memory work, demonstrating how the use of global memorial forms may eclipse local complexities of violence and survivor agency in favour of international atonement.
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Performing Victimhood Nationalism: Remembering the Battle of Košare in Serbia’s Politics of Memory
More LessAuthor: Darija DavidovićAbstractThis article examines how the so-called Battle of Košare, fought during the Kosovo War (1998–1999) and primarily remembered by veterans and families, has become a focal point of Serbia’s official commemoration practices. It analyses the 20th anniversary of the battle as a theatrical event that interweaves victimhood and heroism through documentary theatre, music, and film. Drawing on memory studies, media, and performance analysis, the article demonstrates how the commemoration reinforces Serbia’s victimhood narrative by mobilising emotions as cultural practices and employing theatrical forms of communication that shape and transmit these emotions. It further highlights how the cultural heritage of the Kosovo myth is reactivated and (ab)used for political purposes, showing how war memories and moral grief are strategically constructed to sustain a militarised, state-sponsored memory culture.
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Fabricating Victims and Perpetrators in Occupied Ukraine: Savur-Mohyla and the 1943-2014 Parallel
More LessAuthor: Marco SimonettiAbstractThe memorial complex of Savur-Mohyla was constructed in 1963 to honour the Soviet soldiers who fell during the “Great Patriotic War.” In 2014, the hill became a contested site of memory between Ukraine and the selfproclaimed “Donetsk People’s Republic” (DPR). Since August of that year, pro-Russian authorities have controlled the site, casting the Ukrainian army as the “ultimate perpetrator” and portraying the “Russian people of Donbas” as the “absolute victims” resisting Kyiv’s so-called “fascist invasion.” This paper argues that the ontological categories of “absolute victim” and “ultimate perpetrator” were neither randomly constructed nor fabricated ex novo. Instead, the occupying authorities reconstructed the Savur-Mohyla memorial to draw a direct parallel between the events of 2014 and those of 1943, when the Red Army liberated Donbas from Nazi Germany. This research qualitatively analyses a corpus of 271 articles and speeches on Savur-Mohyla produced by DPR authorities between 2014 and 2022. The objective is to demonstrate how pro-Russian authorities in occupied Donetsk used the memory of the Great Patriotic War as the means for shaping the notions of “absolute victims” and “ultimate perpetrators.”
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The Heroic Executioner: Malevolent and Benevolent Perpetrators in Russian Museum Exhibitions on the Soviet Terror
More LessAuthor: Daria KhlevniukAbstractThe cosmopolitan memory culture or the moral remembrance paradigm, which typically addresses memories of human rights atrocities and often focuses on the binary relationship between victims and perpetrators. However, recent scholarly developments, including Michael Rothberg’s theorization of the implicated subject, have complicated this dichotomy. Drawing on ethnographic research from 15 museums focused on Soviet terror across five Russian regions, I introduce an additional layer to this framework: the perpetrator-hero continuum or the malevolent-benevolent character of perpetrators’ agency. While in traditional cosmopolitan memory culture, such a concept might seem unimaginable, in the context of an undemocratic society like Russia, the figure of the perpetrator can be reinterpreted in multiple ways, which also puts into question the dominant moral remembrance paradigm in general. This reinterpretation often involves heroization, driven not only by state pressure but also local agendas—such as appealing to pro-Stalinist audiences or fostering regional solidarity, even around former camp authorities.
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